My Three Angels

EILEEN DISS (Set Designer) Eileen Diss's designs for the BBC include the MAIGRET and SOMERSET MAUGHAM series, UP THE JUNCTION, CIDER WITH ROSIE and many Plays of the Month. Among her many ITV productions are PYGMALION, THE POTTING SHED, HEDDA GABLER, THE PRIME OF MISS JEAN BRODIE, PORTERHOUSE BLUE, BEHAVING BADLY and JEEVES AND WOOSTER. Her feature films include A DOLL'S HOUSE, SWEET WILLIAM, BETRAYAL, 84 CHARING CROSS ROAD, HANDFUL OF DUST and AUGUST (Julian Mitchell's version of UNCLE VANYA, directed by Anthony Hopkins). She has designed most of Simon Gray's plays for the West End, beginning with BUTLEY and going on to OTHERWISE ENGAGED, QUARTERMAINE'S TERMS, THE REAR COLUMN, CELL MATES and LIFE SUPPORT. Other West End productions have been A LETTER OF RESIGNATION, TAKING SIDES and THE HOTHOUSE (both from Chichester), OLEANNA and TWELVE ANGRY MEN. For the National she has designed BLITHE SPIRIT, THE PHILANDERER, WATCH ON THE RHINE, MEASURE FOR MEASURE, THE CARETAKER and NO MAN'S LAND for the Lyttleton, ASHES TO ASHES, written and directed by Harold Pinter at the Theatre du Rond Point in Paris, THE HEIRESS and Tom Stoppard's ARCADIA for the Gate Theatre, Dublin and the film of Dava Sobel's LONGITUDE for Channel 4. Most recently she has designed five Harold Pinter plays taken to the Lincoln Center in New York by the Almeida Theatre and the Gate Theatre - THE ROOM, CELEBRATION, LANDSCAPE, MONOLOGUE and THE HOMECOMING

JANE KIDD (Costume Designer) Jane who is our Resident Costume Designer, trained in Fashion Design at Berkshire College of Art. She freelanced in knitwear and dress design for five years before joining The Mill as Wardrobe Mistress, and enjoys a variety of making both period and modern costumes of which she has made many whilst at The Mill. Some of Jane's favourite costume designs include: STEPPING OUT, THE RAINMAKER, NOEL & GERTIE, BORN YESTERDAY, LEND ME A TENOR, TWO DOZEN RED ROSES, THE PLEASURE OF HIS COMPANY, TEN TIMES TABLE, A PARTY TO MURDER, WIFE BEGINS AT FORTY, MAKE ME A MATCH, A SLIGHT HANGOVER, KINDLY KEEP IT COVERED, ALL FOR MARY, WHO KILLED SANTA CLAUS?, MOVE OVER MRS MARKHAM, TAKING STEPS, UNDER THE YUM-YUM TREE, TOO MARVELOUS FOR WORDS, CHASE ME COMRADE, FUNNY BUSINESS and FUNNY ABOUT LOVE.

ROSLYN NASH (Lighting Designer) Roslyn trained at Mountview Theatre School and has worked at The Mill for over ten years. She started as Technical Assistant and now has the pleasure of being the Production Manager. Over the years she has been given the opportunity to light many of the productions - a few of which include: STEPPING OUT, KISS MY AUNT, BORN YESTERDAY, LEND ME A TENOR, THE WAITING GAME, DON'T ROCK THE BOAT, LAURA, GRAPES & RAISINS , SAY WHO YOU ARE, THE PLEASURE OF HIS COMPANY, TEN TIMES TABLE, KISS OF DEATH, A PARTY TO MURDER, DON'T JUST LIE THERE, SAY SOMETHING!, MAKE ME A MATCH, A SLIGHT HANGOVER, KINDLY KEEP IT COVERED, WHO KILLED SANTA CLAUS?, TAKING STEPS , TOO MARVELOUS FOR WORDS, CHASE ME COMRADE and FUNNY BUSINESS.

SALLY HUGHES (Artistic Director) Sally spent her early years in Venezuela and Argentina and after finishing her education in England, she then trained for the stage as an actress at The Webber Douglas Academy of Dramatic Art. On graduating she was given her first engagement by John Fernald who directed her in COMING OF AGE. Then followed ARE YOU NOW OR HAVE YOU EVER BEEN at The Bush and CATCHPENNY TWIST at The King's Head Theatre. In 1984 Sally took over the post of Artistic Director of The Mill At Sonning from Peter Egan and has directed and appeared in many of its productions, including DAMES AT SEA (an excerpt of which was included in The Royal Gala Performance in the presence of HRH The Prince of Wales), THE FLIPSIDE, HAPPY AS A SANDBAG, SEE HOW THEY RUN!, DEAD GUILTY MOVE OVER MRS MARKHAM and most recently she appeared as Ginger Mercer in the musical TOO MARVELOUS FOR WORDS. The most recent plays Sally has directed at The Mill are TEN TIMES TABLE, SYLVIA'S WEDDING, WIFE BEGINS AT FORTY, MAKE ME MATCH, ALL FOR MARY and WHO KILLED SANTA CLAUS. Sally enjoys a career outside of The Mill and has played leading parts in the BBC series LATE EXPECTATIONS and LAURA AND DISORDER in which she played Wendy Craig's daughter-in-law. Other TV appearances include: DON'T WAIT UP, KEEPING UP APPEARANCES, BRUSHSTROKES & MULBERRY. Sally directed the National Tour of PASTIMES, starring Rosemary Leach and William Gaunt and also directed BAREFOOT IN THE PARK by Neil Simon at the Jermyn Street Theatre in the West End. Sally also occasionally sings with the Piccadilly Dance Orchestra at the Savoy.

SAM & BELLA SPEWACK (Playwrights) During the 1920's - 1950s Sam & Bella Spewack wrote many plays together a few of which included THE SOLITAIRE MAN, THE WAR SONG, SPRING SONG, BOY MEETS GIRL, KISS ME KATE and of course MY THREE ANGELS. They also wrote film versions of their plays, as well as television adaptations of KISS ME KATE , MY THREE ANGELS, MY FAVOURITE WIFE and WEEKEND AT THE WALDORF.

MY THREE ANGELS

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	*My Three Angels* A comedy by SAM & BELLA SPEWACK MY THREE ANGELS is a completely captivating comedy concerning a gentle but impoverished family - The Dulays. Life has dumped an overdose of worries in their lap. Set in hot and steamy French Guiana the shop they manage is in debt and a monstrous relative who owns it is on his way to evict them. But three kindly souls come to their rescue. The trouble is this trio of fairy godfathers are convicts from the local penal colony who have been hired to mend the shop roof. These beguiling scoundrels immediately make it their benevolent business to settle the Dulays affairs and in doing so redeem themselves as real life angels. This delightful play, which was also a successful film starring Humphrey Bogart, will send you home with a glowing heart. By arrangement with SAMUEL FRENCH LTD.
	KELLY ADAMS (Marie Louise Dulay) Kelly graduated from Mountview Theatre School last summer. She has performed in A CHRISTMAS CAROL at the Bloomsbury Theatre, London and appeared in FATHERS AND SONS for Fox Television. Kelly has recently performed in the renaissance farces at the WATCH THIS SPACE venue at the Royal National Theatre. Kelly is very happy to be performing at The Mill.
	HEATHER CHASEN (Madame Parole) Heather says she is so old now, and though she has done a lot of things she cannot remember what most of them are. She does however, recall playing opposite Frankie Howerd in HOTEL PARADISO and Dame Sybil Thorndyke in CALL ME JACKIE and a trip to New York in A SEVERED HEAD, after its West End run, where she won a nomination for Best Actress Award on Broadway, and in Toronto opposite Douglas Fairbanks Jnr in THE PLEASURE OF HIS COMPANY, and with Robert Morley in PICTURE OF INNOCENCE. There were a couple of soap operas both 'rich bitches' one in NEWCOMERS, and Valerie Pollard in CROSSROADS; a series called MARKED PERSONAL opposite Stephanie Beacham and on radio played all the ladies in THE NAVY LARK. There was a season in Regent's Park playing Helena and one at Chichester in THE EAGLE HAS TWO HEADS and THE MAN WHO CAME TO DINNER; and had a lovely time on tour playing Miss Marple with Richard Todd and Barbara Murray. She also played the evil headmistress in SCHOOLGIRLS IN UNIFORM at the BAC. She appeared at the Royal Court last year in THE MOUNTAIN WOMEN and recently a HARRY HILL show and THE BILL as yet to be shown. Heather lives near Regents Park where she walks her two dogs - Gertrude (as in Lawrence) and Tallulah (as in Bankhead), every day.
	KENNETH COLLEY (Joseph) Film credits include: THE JOKERS; PERFORMANCE; MUSIC LOVERS; DEVILS; JUGGERNAUT; SLADE IN FLAME; JABBERWOCKY, LES MISERABLES; MONTY PYTHON'S THE LIFE OF BRIAN; THE EMPIRE STRIKES BACK; THE GRAPEVINE; FIREFOX; THE SCARLET AND THE BLACK; RETURN OF THE JEDI; THE VATICAN STORY; RETURN TO OZ; MUSSOLINI; THE WHISTLEBLOWER; WAR AND REMEMBRANCE; THE APPLE TREE/SUMMER STORY; HANNAH'S WAR; THE RAINBOW; THE LAST ISLAND; I HIRED A CONTRACT KILLER; PRISONERS OF HONOUR. Television credits are: THESE MEN ARE DANGEROUS; CHARLES II, THREE DAYS IN SZCHECHIN; LOVE SCHOOL; THE PRE-RAPHAELITES; HAZELL; THE TESTING OF ERIC OLTHWAITE; TARGETS; COME THE REVOLUTION; ONE BUMMER NEWSDAY; DANDEYKE; PENNIES FROM HEAVEN; MEASURE FOR MEASURE; THE ACTS OF PETER AND PAUL; NELSON; PEASANT'S REVOLT; BROADMOOR POET; GIRO CITY; ALL THE WORLD'S A STAGE; MURDER BY HYPNOSIS; WINTERS - FUNCTION ROOM; RETURN TO WATERLOO; RETURN TO TREASURE ISLAND; WALLENBERG; LOST HERO; THE SCAR; CASANOVA; GREAT WRITERS; MASTER OF THE MARIONETTES; TIMEWATCH; THE PLOT TO KILL HITLER; POIROT; RATHERLAND; INSPECTOR MORSE; MINDER; CASUALTY; THE SOUTH BANK SHOW; BAX; UNNATURAL CAUSES and BETWEEN THE LINES. Kenneth's theatre experience includes: LITTLE MALCOLM; OEDIPUS; WHO KILLED HANRATTY; CROMWELL; JULIUS CAESAR; TAMING OF THE SHREW; THE CAUCASIAN CHALK CIRCLE; MUCH ADO ABOUT NOTHING; GOLDEN LEAF STRUT; SCENES FROM A VOYAGE TO THE INDIES; SEA CHANGE; A SMALL FAMILY BUSINESS and SEX PLEASE, WE'RE ITALIAN.
	ROWLAND DAVIES (Gaston Lemare) Rowland made his first London appearance in BILLY BUNTER SHIPWRECKED at the Victoria Palace in 1961. He then spent seasons at many of the regional companies in the UK, appearing frequently with the Cambridge Theatre Company in WAITING FOR GODOT (playing Pozzo), HAMLET and THE SORROWS OF FREDERICK. London appearances include WAR SONG at the Hampstead Theatre Club, DIVORCE a la CARTE at the Arts Theatre, SEE HOW THEY RUN! at Greenwich, CONDUCT UNBECOMING at the Queen's Theatre, Shylock in THE MERCHANT OF VENICE at St George's, Tufnell Park, and his first excursion into the poetry of Sir John Betijeman, BEJEMANIA, the highly praised musical at the Shaw Theatre. He later appeared in BARTHOLOMEW FAIR at the Roundhouse and A MAN FOR ALL SEASONS, the production which opened the Bankside Globe Playhouse in Southwark. More recent credits include: THE CONSTANT WIFE at Guildford and on tour; and many appearances at Chichester including: THE PRISONER OF ZENDA; THE SCARLET PIMPERNEL which transferred to Her Majesty's; Norfolk in A MAN FOR ALL SEASONS with Charlton Heston, which went to the Savoy; THE ROYAL BACCARAT SCANDAL in which he played King Edward V11, which transferred to the Haymarket; and TOVARICH, which transferred to the Piccadilly. He has appeared extensively in leading roles on television ranging from situation comedy to classic series such as PERSUASION, WIVES AND DAUGHTERS and SHABBY TIGER; to straight plays; and among others, MAPP AND LUCIA, RUMPOLE OF THE BAILEY, UPSTAIRS DOWNSTAIRS; THE PROFESSIONALS, THE NEW AVENGERS, STALKY AND CO, THE DARLING BUDS OF MAY and DEAD ROMANTIC. Latest films are WHITE NIGHT, EDGE OF DARKNESS and 'LUCKY' LUCAN. Recent work includes FLARE PATH and YOU CAN'T TAKE IT WITH YOU at the King's Head, Islington, Podgers in A MURDER OF NO IMPORTANCE at Windsor and Guildford, the tour of ARSENIC AND OLD LACE in which he played Teddy Brewster and on TV and film, CLASS ACT, SHERLOCK HOLMES, THE DYING DETECTIVE, GENGHIS COHN and THE TRIAL OF LORD LUCAN and most recently SWEET REVENGE. In 2000 - 2001 RSC, Glendower and Hastings in HENRY 1V I & II and in 2002 John Mortimer's NAKED JUSTICE and the film JOHNNY ENGLISH.
	JAMIE JARVIS (Paul Cassagon) Jamie trained at the Central School of Speech and Drama, where he was the recipient of the Sir Laurence Olivier Bursary Award. Since leaving drama school his television credits include Walter in A CHILD IN THE FOREST (HTV); Troy Harvey in EASTENDERS (BBC), and Jarrett in DOCTORS (BBC). Theatre credits include Hanschen Rilow in SPRING AWAKENING (Brockley Jack Theatre) and Pest in MY HEART IS A SUITCASE (Union Theatre). Film credits include Willie in LAST CHANCE (Cork Films) Dan in THE MYSTERY (Film House 891) and the Statesman in THE INVITATION (Cracknell Films). Jamie has also worked in radio and television commercials. It is a long time since Jamie did theatre and he is looking forward to the challenge.
	MICHAEL PERCIVAL (Jules) This is Michael's sixth play at The Mill. In May he directed CHASE ME COMRADE, and he was most recently here as an actor last December in WHO KILLED SANTA CLAUS! He returns later in the season to direct BUILDING BLOCKS. Best known as the amiable, but dim M15 agent, Dexter in THE PIGLET FILES - he's made more than 100 TV appearances, ranging from the impossibly nice Mr Mitchell in GRANGE HILL to the sinister and dangerous Peter Crew in THE SCULPTRESS. More than 300 plays in the theatre, both as actor and director, in most of epertory theatres. Ten plays in London, two in Sydney and one in New York. Long stints with the Royal Shakespeare Co and The Prospect Theatre Co during which he was paid to travel most of the world. Various movies - most recently in the UK, FIERCE CREATURES and 101 DALMATIONS and in Australia, FIGURES IN MOTION. Most recent TV film, MY UNCLE SILAS with Albert Finney, due to be screened any moment.
	BEN SCHOLFIELD (Alfred) Ben graduated from the Webber Douglas Academy of Dramatic Art earlier this year. He has since completed a major role in the forthcoming Warner Brothers film AMERICAN GIRL, directed by Dennie Gordon. While at Webber Douglas, Ben played Kevin in THE MELODY LINGERS ON, Oswald in PLUNDER, Oberon in A MIDSUMMER NIGHT'S DREAM and Pete in SLEEPING AROUND directed by Robert Carson.
	SUSAN SKIPPER (Emilie Dulay) Susan was born in London but her childhood was spent in Dorset and Sussex. She trained at the Central School of Speech and Drama. On leaving Central she made her first film THE SMILING GIRL MURDER. Her television work is extensive and includes such credits as, SHADES OF GREENE, HUNTERS WALK, Victoria in four series of THE CEDAR TREE, WEST END TALES, LADYKILLERS, RAFFLES, PRINCE REGENT, AIRLINE, SORRY, WESTBEACH and more recently the children's series called KEVIN AND KRYSTAN. She also played Greta in Cecil Clarke's production of THE DANCING YEARS for ITV, and she was Madeline in six series of the BBC comedy hit DON'T WAIT UP. Theatre work includes, Margery in THE COUNTRY WIFE, Rosemary in HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, Constance in SHE STOOPS TO CONQUER at Greenwich, Holly in Bernard Slade's SWEET WILLIAM, and Lady Chiltern in AN IDEAL HUSBAND for Vienna's English Theatre. Her films include A ROYAL PERFORMANCE for ABC and WISH YOU WERE HERE for Zenith, which won the Fipresci Prize at the Cannes Film Festival. Susan is delighted to be working at The Mill again following her appearances as Susan in THE LITTLE HUT, Valerie in SAY WHO YOU ARE and Sophie in TEN TIMES TABLE.
	SEAN TAYLOR (Sub-Lt. Espoir) Sean trained at the Drama Centre London where he appeared as Romeo in ROMEO & JULIET, Konstantin in THE SEAGULL, Young Bellair in THE MAN OF MODE, Denis in THE VOYSEY INHERITANCE, Amadeo in NAPOLI MILLIONARIA and Tom in Mark Ravenhill's HANDBAG. Television credits include THE WORST WITCH directed by Stefan Pelsynski for the BBC.
	HUGH WALTERS (Felix dulay) After school at Worksop College and university at Fitzwilliam House, Cambridge, he began his theatrical career at the Salisbury Playhouse in 1962, going on to work extensively in regional theatre, including Ipswich, Coventry, Colchester, Cheltenham and the Bristol Old Vic. He has appeared in London in the premieres of Gerhard Hauptman's THE BEAVER COAT with the late Peggy Mount at the Mermaid, Alfred Jarry's UBU ROI with Max Wall at the Royal Court and THE REAL INSPECTOR HOUND by Tom Stoppard with Richard Briers and Ronnie Barker at the Criterion. On television, after playing Peggy Mount's accident-prone nephew in THE LARKINS, he went on to play Smike in the BBC's last black and white Sunday afternoon serial NICHOLAS NICKLEBY and Wamba, the Fool, in their first colour serial IVANHOE. He has played many different roles in DOCTOR WHO, MISS MARPLE, ALL CREATURES GREAT AND SMALL, LOVEJOY, RUMPOLE, HEARTBEAT, and has been in many situation comedies over the years� DOCTOR IN THE HOUSE, ON THE BUSES, A FINE ROMANCE, culminating in a two hander with Bill Fraser - THE TRAIN NOW STANDING, and was part of the regular team on the DICK EMERY and RUSS ABBOT shows. His most recent appearance was as Charles Hawtrey in Terry Johnson's re-creation of the Carry On era, 'COR BLIMEY! In the last two years he has played in Agatha Christie's TEN LITTLE INDIANS at the English Theatre, Vienna and in Alan Ayckbourn's BEDROOM FARCE at the English Theatre, Frankfurt.
	JAMES CELLAN JONES (Director) Much of James Cellan Jones' work has been in Film and Television, though his first job in the theatre was at Birmingham Rep in 1967, where he directed ST JOAN with Michael Gambon and Timothy Dalton. His stage career also includes work at the Royal Lyceum, Edinburgh, The Soho Theatre and Sedona, Arizona. In television, he directed JENNIE with Lee Remick, which won the Directors' Guild of America Series Award, many Henry James adaptations, including THE AMBASSADORS with Paul Scofield, CAESAR & CLEOPATRA with Alec Guinness, THE KINGFISHER with Rex Harrison, FORTUNES OF WAR with Ken Branagh and Emma Thompson, HARNESSING PEACOCKS with John Mills, which won the Nymphe d'Or at the Monte Carlo Festival, and McLIBEL, the story of the McDonald libel trial. Among his films are BEQUST TO THE NATION with Peter Finch and Glenda Jackson and CHOUCHOU, a life of Debussy in French. He spent three years as Head of Plays at the BBC; he is a former Chairman of BAFTA and of the Directors Guild of Great Britain.
	EILEEN DISS (Set Designer) Eileen Diss's designs for the BBC include the MAIGRET and SOMERSET MAUGHAM series, UP THE JUNCTION, CIDER WITH ROSIE and many Plays of the Month. Among her many ITV productions are PYGMALION, THE POTTING SHED, HEDDA GABLER, THE PRIME OF MISS JEAN BRODIE, PORTERHOUSE BLUE, BEHAVING BADLY and JEEVES AND WOOSTER. Her feature films include A DOLL'S HOUSE, SWEET WILLIAM, BETRAYAL, 84 CHARING CROSS ROAD, HANDFUL OF DUST and AUGUST (Julian Mitchell's version of UNCLE VANYA, directed by Anthony Hopkins). She has designed most of Simon Gray's plays for the West End, beginning with BUTLEY and going on to OTHERWISE ENGAGED, QUARTERMAINE'S TERMS, THE REAR COLUMN, CELL MATES and LIFE SUPPORT. Other West End productions have been A LETTER OF RESIGNATION, TAKING SIDES and THE HOTHOUSE (both from Chichester), OLEANNA and TWELVE ANGRY MEN. For the National she has designed BLITHE SPIRIT, THE PHILANDERER, WATCH ON THE RHINE, MEASURE FOR MEASURE, THE CARETAKER and NO MAN'S LAND for the Lyttleton, ASHES TO ASHES, written and directed by Harold Pinter at the Theatre du Rond Point in Paris, THE HEIRESS and Tom Stoppard's ARCADIA for the Gate Theatre, Dublin and the film of Dava Sobel's LONGITUDE for Channel 4. Most recently she has designed five Harold Pinter plays taken to the Lincoln Center in New York by the Almeida Theatre and the Gate Theatre - THE ROOM, CELEBRATION, LANDSCAPE, MONOLOGUE and THE HOMECOMING
	JANE KIDD (Costume Designer) Jane who is our Resident Costume Designer, trained in Fashion Design at Berkshire College of Art. She freelanced in knitwear and dress design for five years before joining The Mill as Wardrobe Mistress, and enjoys a variety of making both period and modern costumes of which she has made many whilst at The Mill. Some of Jane's favourite costume designs include: STEPPING OUT, THE RAINMAKER, NOEL & GERTIE, BORN YESTERDAY, LEND ME A TENOR, TWO DOZEN RED ROSES, THE PLEASURE OF HIS COMPANY, TEN TIMES TABLE, A PARTY TO MURDER, WIFE BEGINS AT FORTY, MAKE ME A MATCH, A SLIGHT HANGOVER, KINDLY KEEP IT COVERED, ALL FOR MARY, WHO KILLED SANTA CLAUS?, MOVE OVER MRS MARKHAM, TAKING STEPS, UNDER THE YUM-YUM TREE, TOO MARVELOUS FOR WORDS, CHASE ME COMRADE, FUNNY BUSINESS and FUNNY ABOUT LOVE.
	ROSLYN NASH (Lighting Designer) Roslyn trained at Mountview Theatre School and has worked at The Mill for over ten years. She started as Technical Assistant and now has the pleasure of being the Production Manager. Over the years she has been given the opportunity to light many of the productions - a few of which include: STEPPING OUT, KISS MY AUNT, BORN YESTERDAY, LEND ME A TENOR, THE WAITING GAME, DON'T ROCK THE BOAT, LAURA, GRAPES & RAISINS , SAY WHO YOU ARE, THE PLEASURE OF HIS COMPANY, TEN TIMES TABLE, KISS OF DEATH, A PARTY TO MURDER, DON'T JUST LIE THERE, SAY SOMETHING!, MAKE ME A MATCH, A SLIGHT HANGOVER, KINDLY KEEP IT COVERED, WHO KILLED SANTA CLAUS?, TAKING STEPS , TOO MARVELOUS FOR WORDS, CHASE ME COMRADE and FUNNY BUSINESS.
	SALLY HUGHES (Artistic Director) Sally spent her early years in Venezuela and Argentina and after finishing her education in England, she then trained for the stage as an actress at The Webber Douglas Academy of Dramatic Art. On graduating she was given her first engagement by John Fernald who directed her in COMING OF AGE. Then followed ARE YOU NOW OR HAVE YOU EVER BEEN at The Bush and CATCHPENNY TWIST at The King's Head Theatre. In 1984 Sally took over the post of Artistic Director of The Mill At Sonning from Peter Egan and has directed and appeared in many of its productions, including DAMES AT SEA (an excerpt of which was included in The Royal Gala Performance in the presence of HRH The Prince of Wales), THE FLIPSIDE, HAPPY AS A SANDBAG, SEE HOW THEY RUN!, DEAD GUILTY MOVE OVER MRS MARKHAM and most recently she appeared as Ginger Mercer in the musical TOO MARVELOUS FOR WORDS. The most recent plays Sally has directed at The Mill are TEN TIMES TABLE, SYLVIA'S WEDDING, WIFE BEGINS AT FORTY, MAKE ME MATCH, ALL FOR MARY and WHO KILLED SANTA CLAUS. Sally enjoys a career outside of The Mill and has played leading parts in the BBC series LATE EXPECTATIONS and LAURA AND DISORDER in which she played Wendy Craig's daughter-in-law. Other TV appearances include: DON'T WAIT UP, KEEPING UP APPEARANCES, BRUSHSTROKES & MULBERRY. Sally directed the National Tour of PASTIMES, starring Rosemary Leach and William Gaunt and also directed BAREFOOT IN THE PARK by Neil Simon at the Jermyn Street Theatre in the West End. Sally also occasionally sings with the Piccadilly Dance Orchestra at the Savoy.
	SAM & BELLA SPEWACK (Playwrights) During the 1920's - 1950s Sam & Bella Spewack wrote many plays together a few of which included THE SOLITAIRE MAN, THE WAR SONG, SPRING SONG, BOY MEETS GIRL, KISS ME KATE and of course MY THREE ANGELS. They also wrote film versions of their plays, as well as television adaptations of KISS ME KATE , MY THREE ANGELS, MY FAVOURITE WIFE and WEEKEND AT THE WALDORF.

	MY THREE ANGELS Click to enlarge


		James Cellan Jones (Director) with Stage Crew