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13
JANUARY - 20 FEBRUARY 2010
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Devised
by and starring SIMON WILLIAMS
Ah,
life in the theatre. The glamour and the gossip. Backstage,
on stage, in dressing rooms and casting couches. This is a collection
of legendary tales of the world behind the footlights. The jokes,
myths, mishaps, scandals, perks, pitfalls, the tat and glamour,
the highs and the lows – and that’s before you get on stage.
Simon Williams has has lovingly garnered these bits and bobs
from years of sitting in stage-door pubs after closing time
and in theatrical digs up and down the country. The stories
range from Noel Coward to Zsa Zsa Gabor, from weekly rep in
Wiggan to Sunset Boulevard in Hollywood. Interspersed with the
best of backstage musical numbers such as DON’T PUT YOUR DAUGHTER
ON THE STAGE MRS WORTHINGTON, THERE’S NO BUSINESS LIKE SHOW
BUSINESS, WE OPEN IN VENICE and many more.
All
that you wanted to know about show business but were afraid
to ask. A delicious evening’s entertainment! By arrangement
with United Agents.
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PHILIP
POPE As a performer Philip has starred in many radio and tv
shows over the years including RADIO ACTIVE/KYTV, WHO DARES WINS
and CHELMSFORD 123 and guest starred in many others: SHELLEY,
BLACKADDER and most notably ONLY FOOLS & HORSES as singing dustman
Tony Angelino. He has recently appeared in AFTER YOU’VE GONE (TV)
and OLD HARRY’S GAME and Dirk Gently’s HOLISTIC DETECTIVE AGENCY
(radio). Forthcoming appearances include OUTNUMBERED for BBC TV.
As well as performing, Philip is wellknown as a composer and is
responsible (if that is the right word!) for music to a number
of television programmes : SPITTING IMAGE, THE FAST SHOW, CATHERINE
TATE AND HARRY (ENFIELD) & PAUL (WHITEHOUSE). He has scored several
films and dramas and worked in documentary (HORIZON), sitcom (GIMME
GIMME GIMME, HAPPINESS) and comedy-drama (OUTNUMBERED, MARGERY
& GLADYS, DOUBLE TIME) to name but a few. Philip is also a versatile
singer. He was the lead singer with parody group TheHeeBeeGeeBees,
and was the voice behind the rock pastiches on Spitting Image
from Phil Collins & Sting to Bruce Springsteen & Elvis. He has
also written and sung on numerous commercials. Philip has a band
with Rory McGrath, and sings tenor with the Thame Chamber Choir.
He has toured extensively and now lives in Buckinghamshire with
wife Rosie, three sons, a dog and some chickens.
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ISSY
VAN RANDWYCK Issy is thrilled to be back at the Mill. Recent
theatre work includes:- Marilyn Monroe in BECOMING MARILYN (Riverside
Studios and Assembly Rooms, Edinburgh); PLAZA SUITE (Mill at Sonning),
FOR SERVICES RENDERED (Watermill); DIRTY DANCING (Aldwych Theatre);
ONCE IN A LIFETIME and A LITTLE NIGHT MUSIC (National Theatre);
A MIDSUMMER NIGHT’S DREAM, TWO GENTLEMEN OF VERONA and KISS ME
KATE* (Regents Park Open Air Theatre - * Olivier Award Nomination
for Best Supporting Performance in a Musical); THE MAN WHO CAME
TO DINNER, A SMALL FAMILY BUSINESS, ARCADIA and SONG OF SINGAPORE
(Chichester Festival Theatre). Television and Film: SPOOKS, KINGDOM,
TRIAL AND RETRIBUTION, NUMBERTIME, SPLINTER. Many Cast Recordings
and Radio.
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SIMON
WILLIAMS For Simon The Mill is like a second home and he’s very
pleased to be back again. He is very busy at the moment moonlighting
– he is currently appearing at The National Theatre in the David
Hare play THE POWER OF YES, earlier last year he was at The
Chichester Festival Theatre opposite Diana Rigg in HAY FEVER.
Other theatre credits include THE DEEP BLUE SEA (tour and West
End), THE OLD COUNTRY (English Touring Theatre), THE CONSTANT
WIFE (Apollo) THE WINSLOW BOY (Gielgud), THE BLACK PRINCE (Aldwych),
A MARRIAGE HAS BEEN ARRANGED (National Theatre Studio), THE
COMMON PURSUIT (Lyric, Hammersmith), THE LOVER (Young Vic),
SEE HOW THEY RUN (Shaftesbury), HAY FEVER (Duke of Yorks), DONKEY
YEARS (Sheffield Crucible); national tours of THE THIRTY-NINE
STEPS, TARTUFFE, REBECCA, AN IDEAL HUSBAND, DEATHTRAP, THEY’RE
PLAYING OUR SONG and NOBODY’S PERFECT. Television credits in
the UK include, SPOOKS, MIDSOMER MURDERS, BLUE MURDER, SENSE
AND SENSIBILITY, CASUALTY, KINGDOM, THE COMMANDER, SENSITIVE
SKIN, DIAMOND GEEZER, CUTTING IT, THE INSPECTOR LYNLEY MYSTERIES,
THE WALTZ KING, HEARTBEAT,THE GATHERING STORM, SWORD OF HONOUR,
THE SCARLET PIMPERNEL, DINNERLADIES, DALZIEL AND PASCOE, A RESPECTABLE
TRADE, KILLER NET, UPSTAIRS DOWNSTAIRS, FIRST AMONG EQUALS,
DON’T WAIT UP, AGONY, DOCTOR WHO, THE MYSTERIES OF SHERLOCK
HOLMES, and in the US includes THE LEGEND OF KUNG FU, STARHUNTER,
OUT OF THE DARKNESS, THE RETURN OF THE MAN FROM UNCLE, ALFRED
HITCHCOCK PRESENTS, SAM McCLOUD IN LONDON. Before Christmas
he was seen on Channel 4 series THE QUEEN, and has just been
seen in the latest Lynda La Plante murder story ABOVE SUSPICION.
Films include LADY GODIVA, THE FEVER, THE OPIUM WARS, THE FIENDISH
PLOT OF DR FU MANCHU, THE PRISONER OF ZENDA, THE ODD JOB, NO
LONGER ALONE, THE INCREDIBLE SARAH, THE BLOOD ON SATAN’S CLAW,
THE BREAKING OF DUMBO, JOANNA. He has written two novels TAKING
OSCARS and KILL THE LIGHTS, and seven stage plays including
NOBODY’S PERFECT and DOUBLE DEATH which have all started their
lives at The Mill. Happy New Year ...
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EILEEN
DISS (Set Designer) Eileen Diss’s designs for the BBC include
the MAIGRET and SOMERSET MAUGHAM series, UP THE JUNCTION, CIDER
WITH ROSIE and many Plays of the Month. Among her many ITV productions
are PYGMALION, THE POTTING SHED, HEDDA GABLER, THE PRIME OF MISS
JEAN BRODIE, PORTERHOUSE BLUE, BEHAVING BADLY and JEEVES AND WOOSTER.
Her feature films include A DOLL’S HOUSE, SWEET WILLIAM, BETRAYAL,
84 CHARING CROSS ROAD, A HANDFUL OF DUST and AUGUST (Julian Mitchell’s
version of UNCLE VANYA, directed by Anthony Hopkins). She has
designed most of Simon Gray’s plays for the West End, beginning
with BUTLEY and going on to OTHERWISE ENGAGED, QUARTERMAINE’S
TERMS, THE REAR COLUMN, CELL MATES and LIFE SUPPORT and THE OLD
MASTERS. Other West End productions have been A LETTER OF RESIGNATION,
TAKING SIDES and THE HOTHOUSE (both from Chichester), OLEANNA
and TWELVE ANGRY MEN. For the National she has designed BLITHE
SPIRIT, THE PHILANDERER, WATCH ON THE RHINE, MEASURE FOR MEASURE,
THE CARETAKER and NO MAN’S LAND, ASHES TO ASHES, written and directed
by Harold Pinter at the Theatre du Rond Point in Paris, THE HEIRESS
and Tom Stoppard’s ARCADIA for the Gate Theatre, Dublin and the
film of Dava Sobel’s LONGITUDE for Channel 4. She has designed
five Harold Pinter plays taken to the Lincoln Center in New York
by the Almeida Theatre and the Gate Theatre – THE ROOM, CELEBRATION,
LANDSCAPE, MONOLOGUE and THE HOMECOMING. Previous designs for
The Mill were TOO MARVELOUS FOR WORDS, SEPARATE TABLES, ALPHABETICAL
ORDER and THAT OLD FEELING.
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JANE
KIDD (Costume designer) Jane who is our Resident Costume Designer,
trained in Fashion Design at Berkshire College of Art. She freelanced
in knitwear and dress design for five years before joining The
Mill as Wardrobe Mistress, and enjoys making a variety of both
period and modern costumes of which she has made many whilst at
the Mill.
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MATTHEW
BISS (Lighting Designer) Matthew is currently working as Technical
Manager at Norden Farm Centre for the Arts in Maidenhead and is
delighted to be invited back to The Mill to light IT’S NEVER ALL
RIGHT ON THE NIGHT. A few of his numerous previous designs at
The Mill, include SEPARATE TABLES, A SENTIMENTAL JOURNEY, DEADLY
MURDER, THE BED BEFORE YESTERDAY, THE ODD COUPLE, HOLIDAY SNAP,
THAT OLD FEELING and TIME AND TIME AGAIN.
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SALLY
HUGHES (Artistic Director) Sally spent her early years in
Venezuela and Argentina and after finishing her education in England,
she then trained at The Webber Douglas Academy of Dramatic Art.
On graduating she was given her first engagement by John Fernald
who directed her in COMING OF AGE. Then followed ARE YOU NOW OR
HAVE YOU EVER BEEN at The Bush and CATCHPENNY TWIST at The King’s
Head Theatre. In 1984 Sally took over the post of Artistic Director
of The Mill At Sonning from Peter Egan and has directed and appeared
in many of its productions, including DAMES AT SEA (an excerpt
of which was included in The Royal Gala Performance in the presence
of HRH The Prince of Wales). Most recent appearances include A
SENTIMENTAL JOURNEY – THE STORY OF DORIS DAY, TOO MARVELOUS FOR
WORDS, both directed by Alvin Rakoff, ALPHABETICAL ORDER & THE
HEIRESS both directed by Anthony Valentine. A few of the plays
Sally has directed at The Mill are A FOOT IN THE DOOR, STEPPING
OUT, A TOUCH OF SPRING, FRENCH WITHOUT TEARS and very recently
the world premiere of MURDER HUNT by Brian Clemens and LOVE’S
A LUXURY. Sally enjoys a career outside of The Mill and has played
leading parts in the BBC series LATE EXPECTATIONS and LAURA AND
DISORDER in which she played Wendy Craig’s daughter-in-law. Other
TV appearances include: DON’T WAIT UP, KEEPING UP APPEARANCES,
BRUSHSTROKES, MULBERRY and KIDNAPPED ABROAD. Sally directed the
National Tour of PASTIMES, starring Rosemary Leach and William
Gaunt and also directed BAREFOOT IN THE PARK by Neil Simon at
the Jermyn Street Theatre in the West End. Sally is very excited
about reviving her role as Doris Day in A SENTIMENTAL JOURNEY
at Wilton’s Theatre in London, in March.
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| Production: |
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Production Manager -
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Joan Farnese |
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Stage
Manager -
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James
Neal |
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Chief
Electrician -
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Nathan
Caples |
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Wardrobe
Mistress -
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Jane
Kidd |
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Deputy
Stage Managers -
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Karen
Brown & Lottie Cousins |
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Assistant
Stage Manager -
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Claire
Baker |
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Technician
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Michelle
Green |
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Scenic
Artist -
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Tony
Eden |
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Technical
Assistant -
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Simon
Graves |
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Wardrobe
Assistant -
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Evelyn
Fidler |
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Dressers
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Ann
Baker, Lynn Hinton,
Catherine Bristow, Terry Bartholomew, Karen Vass
& Sarah Reynolds |
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Theatre
Production Photography -
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Norman
Weston |
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Website
Production -
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Chris Berry |
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